Originally published in Margaret Atwood Studies, vol. 10 (December, 2016) ABSTRACT: In this article, I argue that the groundlessness associated with postmodernism is not as entrenched within its discourse as it may appear. Graham Swift’s Waterland (1992) and Margaret Atwood’s Oryx
The ‘Greening’ of Postmodern Discourse in Margaret Atwood’s Oryx and Crake and Graham Swift’s Waterland
