Originally published in Margaret Atwood Studies, vol. 10 (December, 2016) ABSTRACT: In this article, I argue that the groundlessness associated with postmodernism is not as entrenched within its discourse as it may appear. Graham Swift’s Waterland (1992) and Margaret Atwood’s Oryx
Written in the 1980s at the height of Thatcher’s Britain, Alan Moore’s V for Vendetta is a politically charged graphic novel set in a dystopian near-future world in which Britain has fallen into fascism following a brief nuclear exchange. The
On literature courses UK wide, Samuel Beckett’s Waiting for Godot is rolled out as the example of a work astride two movements: modernism and postmodernism. Without going into too much detail, modernism can be described as an early twentieth century
Umberto Eco’s final novel is a fast paced historical thriller, centred on a newspaper that will never be published, and a conspiracy theory surrounding the death of the Italian dictator Benito Mussolini. At just under 200 pages, Numero Zero is the
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Italo Calvino was an Italian writer associated with both neorealism and postmodernism. He published a number of works during the latter half of the twentieth century, and won a number of awards including the World Fantasy Award for lifetime achievement.